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December 26, 2013

Bindii Minutes November 2013

There were seven members present at the November meeting in The Box Factory, Adelaide for our November workshop led by Maeve Archibald. Eight other members sent apologies.
General business: Beverley George’s latest Children’s book was passed around to members. Members talked briefly about changed meeting arrangements next year (2014).
We have booked for sessions running from 1-3 pm at the Box Factory on the first Saturday of the following months: February, April, June, August, October, and December.

There were seven members present at the November meeting in The Box Factory, Adelaide for our November workshop led by Maeve Archibald. Eight other members sent apologies.
General business: Beverley George’s latest Children’s book was passed around to members. Members talked briefly about changed meeting arrangements next year (2014).
We have booked for sessions running from 1-3 pm at the Box Factory on the first Saturday of the following months: February, April, June, August, October, and December.
Athena proposed that the group go for coffee to a nearby café after the formal meetings in 2014 and this was considered favourably by members present. This would be an informal arrangement by those present at each session. It was considered that such social interaction would help members get to know one another a bit better.

Ron Moss (well-known Tasmanian haiga poet) and Linda Galloway (tanka poet from Los Angeles). We have booked the Box Factory large room and kitchen for the day from 11 am on Sunday March 30 as Ron and Linda have approached us wishing to put on an audio visual performance and some workshops. The performance (after the workshops) would be free, but the workshops would be paid workshops. As yet we have no further information.

Maeve Archibald will run the first session for 2014 on Saturday 1 February. This will be a follow up session on writing haibun. Maeve intends to workshop haibun written by members following today’s session.

We discussed the idea of members making short presentations at the start of a meeting next year, or maybe running a short discussion.
Margaret Fensom has offered to run a ginko next year, which I will schedule as our second meeting in April, unless there are objections. There is only a certain range of months in which the weather can be expected to be suitable and Margaret will be very busy with exams at the end of 2014. The proposal is to meet at the Box Factory and walk to Himeji Gardens (less than five minutes’ walk through the back streets). If the weather is inclement we still have the advantage of our indoor venue.

A social meeting of the group before our next meeting (Feb 2014) was discussed and those present favoured meeting if a suitable time and venue could be arranged. During some further discussion after the meeting it was suggested that January might be a better time than December and a Sunday afternoon tea meeting at the Museum was suggested. Lyn will email members for some feedback on this. The Museum café has the advantage of the owners not minding if you turn up in a group without formal booking and paying deposits in advance (as the Art Gallery demands). It is also very central for members to access.

Haibun Workshop: Maeve Archibald
Maeve started by looking at some principles of creative writing, giving some stimulation exercises to jog our minds into fresh approaches of looking at our writing. One of these was making words and sentences from the letters in our individual names.
Another exercise involved writing down a noun and two adjectives on small pieces of paper and passing on the adjectives to other people. We then wrote haibun using the words we had received and written.
Maeve gave each of us a haibun definition (selected at random) and we each read out our two definitions and expressed opinions on them. The range of definitions expanded our awareness of the variety of haibun types and how opinions had varied between authors and over time.
After a break for lunch we began some new exercises. First came an exercise to extend our perception of precise description. After we had produced all the words we could think of to describe ‘red’ we were asked to write a haibun mentioning three of those words ,as well as being aware in our writing of the basic sentence structures of: statement, question, exclamation and command. The variety of work produced during these exercises was fascinating and I think we would all agree that we had been stretched beyond our normal range of thought.

The meeting finished at 2 pm.


Minutes taken by Lynette Arden
2 November 2013

http://haiku-bindii.blogspot.com.au/

December 02, 2013

New anthology from Snapshot Press

Announcing the publication of Where the River Goes: The Nature Tradition in English-Language Haiku.

This anthology, which has been five years in the making, is a landmark work in English-language haiku, with unprecedented scope and focus. Edited by Allan Burns, Where the River Goes details and celebrates the evolution of the nature tradition of haiku over an active period of fifty years. Featuring more than nine hundred haiku, the anthology highlights and explores the work of forty essential “voices,” from pioneers such as James W. Hackett, Robert Spiess, and John Wills to major contemporary haiku poets who regularly write in a naturalistic mode.

The book is available now in a beautiful, 479 pp., hardback first edition.

Advance praise would suggest that the anthology will have very considerable appeal both within and beyond the haiku community. Tom Lynch hails it as an “outstanding volume”, and Jeremy Mynott, the former head of Cambridge University Press, describes it as both “richly varied” and “ground-breaking”. As well as being essential reading for anyone seriously interested in English-language haiku of any persuasion, the anthology makes an ideal seasonal gift for any haiku, poetry, or nature lover. As Ted Floyd, editor of Birding Magazine, has noted, “Anybody interested in nature and in nature writing will delight in this anthology.”

Further details, including ordering options, are available on the website at
http://www.snapshotpress.co.uk/books/where_the_river_goes.htm

John Barlow
Publisher, Snapshot Press
http://www.snapshotpress.co.uk/

HaikuOz: items posted since 1 November

The following items have been posted on the HaikuOz website since 1 November and can be accessed at www.haikuoz.org

A Hundred Gourds 3:1 now online

Hobart ginko

Red Dragonflies November 2013 meeting

Clean Up of HaikuOz Email List

Results of the Kokako Haiku & Senryu Competition, 2013

FreeXpresSion Haiku Competition 2014

Haiku Sansaar: new online haiku journal

December 01, 2013

A Hundred Gourds 3:1 now online

The ninth issue of A Hundred Gourds, a quarterly journal of haiku, haibun, haiga, tanka and renku poetry is now released. The issue marks the beginning of our third year of publishing. Many thanks to our readers and contributors for making AHG the success that it continues to be.

We wish you all the Joy of the Season and a Happy and Fruitful New Year.

http://www.ahundred gourds.com/

Along with our regular Haiku, Tanka, Renku, Haiga, Haibun and Expositions sections, AHG 3.1 offers two Features:

In Memoriam – Laryalee Fraser, 1940 - 2013

It was with great sadness that we received the news that Lary passed away in October. A patient and encouraging mentor for many, Lary was modest about proclaiming her own achievements. Susan Constable has compiled a collection of Lary’s fine haiku and haiga in tribute to the unstinting service Lary gave to the online haiku community for many years.

Le Groupe Haïku de Montréal

In the heart of Montreal, Canada, Le Groupe Haïku de Montréal meets to support its members in the writing of haiku that differs from the kind of haiku typically written in France. Mike Montreuil gives some insight into the workings of the group and a bi-lingual sampler of haiku, haibun and tanka.


Submissions Deadline

The deadline for all submissions to AHG 3.2 (the March 2014 issue) is December 15th. AHG has an open submissions policy: any submissions received after the deadline will be filed for consideration for the June 2014 issue. Please check our submissions page for details and editors’ guidelines.

Lorin Ford – Haiku Editor, Managing Editor,
for the Editorial Team, A Hundred Gourds